Видео

Too much knowledge 🙏🙏🙏 thanks a lot for the video hands down

Amazing video! And you got the Hornheads playing the examples so it couldn't get any better :) Thanks!

The best video I’ve ever watched on the subject. And you had live musicians playing the examples ???? Fantastic!!! Thank you.

Excellent video! Thanks a lot

In my mid 20s I kind of convinced myself that the best music has already been made and that there isn't anything new to look forward to. Domi and JD Beck have totally changed that for me. Thundercat is another modern artist that's just as good as anything classic. There are aplenty of extremely talented younger people playing music right now. It feels good to be excited about modern music again!

Fantastic and so helpful!! Thanks!!!

אחד הסרטונים הטובים שראיתי לאחרונה. שאפו ענק !

All of your teaching clips are very valuable. That gave me access to learning how to compose good music. thank you very much

What a video!!! amazing, i coulded remember everything in 11 minutes, thank you very much Adi, i needed it.

can you tell me why real recorded horns, these days, sound like synth horns vs back in the days of E,W&F| AWB and the jazz stuff that came before?

Reminds me of a Kate Bush tune.

This is the best lesson I have ever heard on this topic, many thanks sir!

As a musician, I understand your analysis and agree with all you've said. But as others have said, it's not everyone's "vibe". I don't think I could listen to this music for more than a minute. I'd be afraid of having a seizure. lol Seems most like her because she can play so fast (I doubt anyone leaves one of their concerts humming one of their melodies). Just because you can play fast, doesn't mean you have to all the time. Props for all the talent she has, but I just don't like it.

So great!!

👏

Totally Finest. Dreaming orchestra.

Great writing-great players. I love it!

Hello

great video!

First of all, thank you, thank you so much for this so rich content. Thank you for sharing this with us! I would like to clear up a doubt, if it is possible. Theoretically, how do you deal with the "cross-voicing" issue in your musical arrangements? In the examples showed in this video (e.g. at 9:12; 12:11 and 13:05), there are some cross-voicings that, academically, maybe would be avoided at all cost, but they sound so wonderful, really terrific, awesome! Are there any tips or rules you could recommend regarding this?

welcome back master!!!

Thank you for your online content and instruction, Adi. (Your friend, Phil!)

This whole arrangement reminds me of the work of Anne Dudley on Seal's 1994 album (that starts with the song Bring it On), and on the Human Being album. The string arrangements on these albums are superb, and made me fall in love with string arrangements. Highly recommended albums if you love string arrangements in a pop song context. 🎻🎻🎻❤🎻🎻🎻 And Seal posted these albums on his official RUclips channel for all to enjoy! 🎻😍🎻

The 3 against 2 rhythm in the string parts, combined with the pick-up of the harp in bar 77 @ 10:24 makes a really nice passage, and also a nice transition to the suspended/unresolved chord in the strings that supports the harp ostinato. Lovely. 🎻🎻🎻😁🎻🎻

The reason why string arrangements exists in pop songs: Bar 68 & 69 @ 8:55 😁 🎻🎻🎻🎻🎻🎻 🎻🎻🎻🎻🎻🎻

I would like to learn how to arrange strings

Excelente !!!

This is gold! Thank you for sharing your wisdom.

beautiful, thank you. i love how you lay out the different textures and techniques over the track. very insightful. i'd love to see more!

Loved it! Thanks Adi!

This is super fascinating! Thanks for sharing.

Beautiful. I’ve been a musician my whole life and was a theory major many years ago, but I know very little about the intricacies of string arrangement. Loved hearing your thoughts and walkthrough.

Thank you! This is beautiful, and the examples are clear, highly musical and so well presented.

Excellent vid!

This is fantastic! Great examples

FANTASTIC

Examples are just far too short!

Why are the ensemble passages so short? 8 bar examples would be more helpful to be honest.

5:46 wow...this is so cool D, C, F, Bb, but if you invert the fourths by putting Bb first it sounds so different D, Bb, F, C, either way this is great stuff and I love the Stan Getz reference

Very useful

This is just perfect. Love from Japan!

Nice. Just in time before I watch them live in Singapore.

Subscribed.

They covered Hancock

Very good and clear info! thanks!

Great stuff. Just discovered your channel and enjoying the arranging lessons. Having spent 20+ years editing audio in DP may I suggest when editing a hit that's longer than the rest you grab the separated bite with the hand grabber on the right side edit and shorten the bite itself to match the rest so you keep the entire note and don't have to fade out.

In the quartal harmony @9:13, it's amazing to me how well it works when it goes outside. On the two Cm7s, the chromatic passing chords sound great. Sometimes they seem to imply chord changes (e.g. to the G7). Is that just a function of how ambiguous quartal harmony is? Like listener's brains can fill in the gaps as necessary? Or are you doing additional work to pick the right ones?

Wow this lift me 3 years ahead of my studied in just 10 and a half minutes

4:28 steely dan generator